Sunday, July 27, 2014

July 27, 2014, Meeting at Marilyn's


While most of us did not care for "On Beauty" by Zadie Smith, our group of nine had plenty to discuss about the dysfunctional characters of the book.  For the most part, we did not like most of the characters.  Kiki ....wife of Howard...mother of Zora, Jerome, and Levi was the exception.  In the end it seemed that Kiki became her own woman.

Was the book well written??  Some of us found the first two hundred pages a drudgery to read.  The story picked up and became a little more interesting after that point.  Smith did do a good job of developing her characters.  But...that did not make us like them. 

There was much sharing of our personal relationships as they related to characters in the book.  Question was asked "What would you do if you were Kiki?".  We all had different answers influenced by our own personal lives. 

We voted on the book selections submitted by Marlena.  Majority vote went to "Orphan Train" by Christina Baker King.  This book will be discussed at our September 28, meeting.

Because Labor Day is the last Sunday of August, we changed our September meeting so we will meet on Sunday, August 24, at Judy's house.  Book to be discussed is "Middlesex".

Thursday, July 17, 2014

Marlena's Suggestions for our September Book


THE INVENTION OF WINGS,   a novel by Sue Monk Kidd

In the early 1830s, Sarah Grimké and her younger sister, Angelina, were the most infamous women in America. They had rebelled so vocally against their family, society, and their religion that they were reviled, pursued, and exiled from their home city of Charleston, South Carolina, under threat of death. Their crime was speaking out in favor of liberty and equality and for African American slaves and women, arguments too radically humanist even for the abolitionists of their time. Their lectures drew crowds of thousands, even (shockingly, then) men, and their most popular pamphlet directly inspired Harriet Beecher Stowe’s Uncle Tom's Cabin--published 15 years later. These women took many of the first brutal backlashes against feminists and abolitionists, but even their names are barely known now. Sue Monk Kidd became fascinated by these sisters, and the question of what compelled them to risk certain fury and say with the full force of their convictions what others had not (or could not). She discovered that in 1803, when Sarah turned 11, her parents gave her the “human present” of 10-year-old Hetty to be her handmaid, and Sarah taught Hetty to read, an act of rebellion met with punishment so severe that the slave girl died of "an unspecified disease" shortly after her beating. Kidd knew then that she had to try to bring Hetty back to life (“I would imagine what might have been," she tells us), and she starts these girls' stories here, both cast in roles they despise. She trades chapters between their voices across decades, imagining the Grimké sisters’ courageous metamorphosis and, perhaps more vitally, she gives Hetty her own life of struggle and transformation. Few characters have ever been so alive to me as Hetty and Sarah. Long after you finish this book, you'll feel its courageous heart beating inside your own.

 
THE ORPHAN TRAIN,  Christina Baker Kline  (A Novel Based on Actual Events)

Between 1854 and 1929, so-called orphan trains ran regularly from the cities of the East Coast to the farmlands of the Midwest, carrying thousands of abandoned children whose fates would be determined by pure luck. Would they be adopted by a kind and loving family, or would they face a childhood and adolescence of hard labor and servitude?
As a young Irish immigrant, Vivian Daly was one such child, sent by rail from New York City to an uncertain future a world away. Returning east later in life, Vivian leads a quiet, peaceful existence on the coast of Maine, the memories of her upbringing rendered a hazy blur. But in her attic, hidden in trunks, are vestiges of a turbulent past.
Seventeen-year-old Molly Ayer knows that a community-service position helping an elderly widow clean out her attic is the only thing keeping her out of juvenile hall. But as Molly helps Vivian sort through her keepsakes and possessions, she discovers that she and Vivian aren't as different as they appear. A Penobscot Indian who has spent her youth in and out of foster homes, Molly is also an outsider being raised by strangers, and she, too, has unanswered questions about the past.
Moving between contemporary Maine and Depression-era Minnesota, Orphan Train is a powerful tale of upheaval and resilience, second chances, and unexpected friendship.
 
THE PERSECUTION OF MILDRED DUNLAP,  A novel by Paulette Mahurin 

         A women's Brokeback Mountain. The year 1895 was filled with memorable historical events: the Dreyfus Affair divided France; Booker T. Washington gave his Atlanta address; the United States expanded the effects of the Monroe Doctrine to cover South America; and Oscar Wilde was tried and convicted for gross indecency under Britain's recently passed law that made sex between males a criminal offense. When news of Wilde's conviction went out over telegraphs worldwide, it threw a small Nevada town into chaos. This is the story of what happened when the lives of its citizens were impacted by the news of Oscar Wilde's imprisonment. It is a chronicle of hatred and prejudice with all its unintended and devastating consequences, and how love and friendship bring strength and healing.


A ROOM WITH A VIEW, a novel by E.M. Forster
            In common with much of his other writing, this work by the eminent English novelist and essayist E. M. Forster (1879–1970) displays an unusually perceptive view of British society in the early 20th century. Written in 1908, A Room with a View is a social comedy set in Florence, Italy, and Surrey, England. Its heroine, Lucy Honeychurch, struggling against straitlaced Victorian attitudes of arrogance, narrow-mindedness and snobbery, falls in love-while on holiday in Italy-with the socially unsuitable George Emerson.
Caught up in a claustrophobic world of pretentiousness and rigidity, Lucy ultimately rejects her fiancé, Cecil Vyse, and chooses, instead, to wed her true love, the young man whose sense of freedom and lack of artificiality became apparent to her in the Italian pensione where they first met. This is a classic exploration of passion, human nature and social convention.