The year is 1943 and life is good for Jewel Hilburn, her husband, Leston, and their five children. Although there's a war on, the Mississippi economy is booming, providing plenty of business for the hardworking family. And even the news that eldest son James has enlisted is mitigated by the fact that Jewel, now pushing 40, is pregnant with one last child. Her joy is slightly clouded, however, when her childhood friend Cathedral arrives at the door with a troubling prophecy: "I say unto you that the baby you be carrying be yo' hardship, be yo' test in this world. This be my prophesying unto you, Miss Jewel."
When the child is finally born, it seems that Cathedral's prediction was empty: the baby appears normal in every way. As the months go by, however, Jewel becomes increasingly afraid that something is wrong with little Brenda Kay--she doesn't cry, she doesn't roll over, she's hardly ever awake. Eventually husband and wife take the baby to the doctor and are informed that she is a "Mongolian Idiot," not expected to live past the age of 2. Jewel angrily rebuffs the doctor's suggestion that they institutionalize Brenda Kay. Instead the Hilburns shoulder the burdens--and discover the unexpected joys--of living with a Down's syndrome child.
Ria
lived on Tara Road in Dublin with her dashing husband, Danny, and their
two children. She fully believed she was happily married, right
up until the day Danny told her he was leaving her to be with his
young, pregnant girlfriend. By a chance phone call, Ria meets Marilyn, a
woman from New England unable to come to terms with her only son’s
death and now separated from her husband. The two
women exchange houses for the summer with extraordinary consequences,
each learning that the other has a deep secret that can never be
revealed.
Drawn into lifestyles vastly differing from their own, at first each resents the news of how well the other is getting on. Ria seems to have become quite a hostess, entertaining half the neighborhood, which at first irritates the reserved and withdrawn Marilyn, a woman who has always guarded her privacy. Marilyn seems to have become bosom friends with Ria’s children, as well as with Colm, a handsome restaurateur, whom Ria has begun to miss terribly. At the end of the summer, the women at last meet face-to-face. Having learned a great deal, about themselves and about each other, they find that they have become, firmly and forever, good friends.
Drawn into lifestyles vastly differing from their own, at first each resents the news of how well the other is getting on. Ria seems to have become quite a hostess, entertaining half the neighborhood, which at first irritates the reserved and withdrawn Marilyn, a woman who has always guarded her privacy. Marilyn seems to have become bosom friends with Ria’s children, as well as with Colm, a handsome restaurateur, whom Ria has begun to miss terribly. At the end of the summer, the women at last meet face-to-face. Having learned a great deal, about themselves and about each other, they find that they have become, firmly and forever, good friends.
The Thirteenth Tale -- October 9, 2007 by Diane Setterfield; 432 pgs.
Reclusive author Vida Winter, famous for her collection of twelve enchanting stories, has spent the past six decades penning a series of alternate lives for herself. Now old and ailing, she is ready to reveal the truth about her extraordinary existence and the violent and tragic past she has kept secret for so long. Calling on Margaret Lea, a young biographer troubled by her own painful history, Vida disinters the life she meant to bury for good. Margaret is mesmerized by the author's tale of gothic strangeness—featuring the beautiful and willful Isabelle, the feral twins Adeline and Emmeline, a ghost, a governess, a topiary garden and a devastating fire. Together, Margaret and Vida confront the ghosts that have haunted them while becoming, finally, transformed by the truth themselves.
The
story is set in the 1950s and revolves around a young woman named Kya
Clark, who is from extremely rural North Carolina. Known by others
as the Marsh Girl, she lives alone in nature—but the draw of other
people, and specifically love, brings her into contact with the greater
world. This novel has a mystery at its core, but it can be read on a
variety of levels. There is great nature writing;
there is coming of age; and there is literature. Crawdads
is a story lovingly told—one that takes its time in developing its
characters and setting, and in developing the
story. You’ll want to relax and take your time as well, and when you’re
done you will want to talk about it with another reader.
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